Ceoltaí Oirialla - Songs of Oriel
Pádraigín Ní Uallacháin has restored, renewed and recorded over 40 songs in Irish, from the Oriel song tradition, songs which has been buried in manuscript and archives. They are now sung by many other traditional singers, and performed at the annual Oireachtas na Gaeilge Arts Festival.
Oriel singers now feature among the award winners of sean-nós singing at this festival.
A New Cultural Heritage Website: OrielArts.com
In October 2017 an innovative website of Oriel song and instrumental music was created and launched by Pádraigín Ní Uallacháin. It was funded by An Chomhairle Ealaíona/The Arts Council and researched and edited by her.
It has over 150 pages of music and information, 40 videos, lyrics, translations manuscripts and images based on her 2004 publication, A Hidden Ulster - people, songs and traditions of Oriel.
It has been received with tremendous enthusiasm and acclamation in both national and local media. Find our more by visiting OrielArts.com.
- Journal of Music, November 2017
Major New Resource on Oriel Music and Culture Launched
- Irish News, October 2017
Oriel Arts project a hugely impressive showcase of northern music and song
- Argus, October 2017
Pádraigín's website a labour of love
- Dundalk Democrat, December 2017
- Cross Examiner December 2017
A Hidden Ulster - People, songs and traditions of Oriel
Published by Four Courts Press, Dublin 2003, A Hidden Ulster was shortlisted for the 2005 Michaelis-Jena Ratcliff Prize in Folklore and Folklife.
This book is the first major study of the song-tradition of Oriel, a region which straddles the borders of southeast Ulster and north Leinster and which was the centre of literature in Leath Choinn, the northern half of Ireland from the end of the 17th century to the middle of the 19th century.
It is an account, despite the loss of the Irish language as the common vernacular within living memory, of the survival of an ancient Gaelic song-tradition, which the author herself has inherited and which had absorbed the literary works of the poets and harpers of southeast Ulster. She brings together the disparate work of many early 20th-century collectors, of varied religious backgrounds, and recreates what was once a vibrant and vital song tradition.
Pádraigín Ní Uallacháin draws on many traditions associated with the songs: markets, patterns, seasonal folk drama; keening and wakes; harpers, poets, patrons and chieftains and includes vision poems, laments, courtly songs, dance songs, and occupational songs.
Written in English, A Hidden Ulster includes the texts of 54 songs in Irish, with translations and their respective airs; richly illustrated with photographs, maps, and music notation, the catalogue section also includes facsimiles of recently located dance-music manuscripts.